Waverley Camera Club

On Tuesday 16th August we had the well known photographer Ian Rolfe visit and give us a presentation on landscape photography and the light. Ian opened his presentation to a packed Wadham House with a slideshow of his landscape images which were truly stunning. It was immediately obvious to us all that this man knew how to find and capture the light and use it to his advantage in his work. Ian went on to talk about the different types of light as well as composition, exposure, Depth of Field and many other factors that effect all of the shots that we take. Ian showed us that it is the work prior to taking the image that is important and less towards the post production that we have all come to expect from images.

Ian finished his talk with a slideshow of King Island and passed on some information about the tours that he runs there, four times per year.

Ian Rolfe Photography

All in all we had a very good evening and I think we all came away with something that we never knew prior to it. So thank you very much to Ian and we look forward to seeing his techniques applied to shots submitted into future club competitions.

Dave

Hi All,

On Tuesday night we are to be graced with a presentation by the well renowned photographer Ian Rolfe.
Ian is much in demand as a speaker (you’ll know why once you have seen him) and we are lucky to have him before he goes jetting
off around the world for the rest of the year. His speciality is landscape photography and you can check some of it out here:

Ian Rolfe Photography

Please come and see what he has to say at Wadham House, 7.30pm for an 8pm start or just come for free coffee, tea and biscuits.

Pete

To those who didn’t attend the Monochrome workshop last night, you missed a very good session led by Pete which studied what makes an image a good B&W or monochrome. We studied 100 of the best B&W/Monochrome images before going into the different ways used to convert images from the ins and outs of B&W in camera to the many methods of PhotoShop. Pete treated us to some demonstrations with the assistance of Warren’s Photoshop Group members who had been working on this very subject the night before. We were able to compare several different methods, their advantages and disadvantages as well as visually compare the results. Anyone who simply desaturates an image to make it B&W should have been there to see why this isn’t the ideal method.

We also touched on creating monotone, duotone, tritone and quadtone images, where we would possibly use these and how the results differ.

Here is the link that Pete provided us with giving us the various methods of converting to B&W or monochrome and their pro’s and con’s Black and White Digital

If the oohs and aahs every time the flash fired at the sound triggered flash workshop last Tuesday were anything to go by, it was a quite successful workshop. Every year that we run this workshop it goes smoother and smoother, this time allowing for some experimentation in the form of nesting one balloon inside the other.

As pictures speak louder than words, it is best to see the results:

Next Tuesday, 21 June 2011 is a sound triggered flash workshop and if you attended either of the last two you’ll know what they’re about.

If you haven’t then some explaining might be in order. A sound trigger will fire the flash when there’s enough sound to activate it. In the past we have popped balloons, smashed light bulbs and even blown up an apple. Because the trigger can react faster than any human being, and the duration of the flash is so short, we are able to capture the moment fairly easily.

If this sounds like fun and I can assure you it is you will need to bring your CAMERA and a TRIPOD. A longish lens is probably best so that we can get as many people shooting as possible. You should also bring something to shoot, please don’t rely on the same three or four people who always bring things because I have no idea whether they are going to turn up or not.

Some snooping around in Google will give you an idea of the kinds of things we are after, but please NO GUNS.

See you then,
Pete